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Guest article by Whytake.com

Authors: Alister Benn & Rafael Rojas

Greens-as-tones100 years ago, making photographs in black and white was a technical limitation; today it is a creative choice. It is somewhat ironic that after a century of scientific development to deliver cameras capable of capturing the world full of rich textures and colors, so many of us have returned to making images in mono. Why would that be?

The 21st century has been a whirlwind of development in both camera/sensor technology and the processing power of our home computers. It is not too bold to suggest that most of our smart phones today are packed with more possibilities than our DSLR’s were a decade ago.

But, as always, contemporary tools are also full of quick fixes and automation, leaving us with both a gift and a curse. The gifts are obvious; speed, efficiency, convenience and not least, being able to bypass a lot of study and craft. However, the flip side of this is that we so often find ourselves handing our images over to the computer and failing to truly understand why it is we are making them in the first place.

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