Welcome to another post from our Topaz series, Behind the Lens! Today we’ll be learning more about photographer Jim Harris. Learn how Jim got started and learn about timed exposure, hear about creative challenges, and see a gallery of breathtaking images! Read more of Behind the Lens with Jim Harris…
Under the Creative Influence
I come from a family of talented artists. My Mother dabbled in painting but my Uncle, Marty Gunsaullus, was one of my earliest and main influences. He has made his living as an artist in Los Angeles his entire life. Marty is mainly a painter but he did do a lot with black and white film photography back in his early days. That truly inspired me.
Article by Guest Blogger Joel Tjintjelaar
TOPAZ DENOISE, THE PERFECT PLUGIN FOR GETTING RID OF NOISE FOR LONG EXPOSURE ARCHITECTURAL PHOTOGRAPHY.
As a black and white photographer specialized in architectural, black and white and long exposure photography, I frequently run into noise issues when taking long exposure photographs. Especially in low light conditions and longer exposures, chances of having noise in your photographs are very likely.
There are several plugins available to get rid of the noise but I’m very picky to what I choose as a tool. Getting rid of the noise is one thing, but retaining all the details, especially in architecture, is another thing. You don’t want to lose all the details, just the noise. And that’s exactly where some plugins are better than others. I need a good balance between reduction of unwanted noise on one hand and retention of details on the other hand. And preferably I need a lot of control so that I can accurately target a specific kind of noise in my image without affecting the rest of the image. For an architectural photographer this balance is essential. I’ve tried many plugins but the last few years I prefer to use Topaz DeNoise as it gives me very good results.
Of course the best thing is to avoid noise, something I succeed in, in the last few years, but it can’t always be avoided. And sometimes I like to add a bit of noise, in especially skies, to get that analog look.
Let’s have a look at a few examples.
Example 1: Visual Acoustics XI – Silence and Light – Pantheon – Rome
Like a Harp’s Strings I – Overture
An accomplished architect and fine art architectural photographer, Julia Anna Gospodarou has added another feat to her list with the completion of the book From Basics to Fine Art – B&W Photography, an educational read on black and white photography (written with co-author and award winning B&W photographer, Joel Tjintjelaar).
In this interview, read about everything from Gospodarou’s tips for successful daytime long exposures, why she prefers the square crop for fine art photography and what features she finds most essential in Topaz B&W Effects.
French photographer, Gael Trijasson’s beautiful images of the night sky in Puy-de-Dôme, France:
Nikon D600: Aperture: f/2.8, Shutter speed: 44sec, ISO: 1600, at 14mm (Samyang f/2.8 )Place: Volvic / Puy-de-Dôme / France